Saturday, May 21, 2011

Scarves

Floating around the room, I'm wrapped in scarves - in red, yellow and green - in scarves, filmy and light.  I dance in circles, throwing wide the heavy brown curtains, and letting the sun crawl into my arms like a child.  I dance and cradle my bundle of light, capturing its warmth, nursing it, gathering it up in scarves.  I laugh long and hard, spinning and gliding across the floor.  Tousled hair and big white teeth, I'm laughing.  Waiting for him to put his keys in the lock, waiting for him to come and dance with me.  Wanting so much to pull him into my sunlight.

And when he comes home, when he walks through the door, I call to him.  Come, come, my love, and dance.  Dance with me, I say, pushing out my bottom lip, twirling my hair, giving him the look he likes.  And he smiles, slips out of his suit jacket, and says, Silly Girl, what are you doing?  What?  He chuckles, and walks to me.  Chuckles, and pulls a scarf, the red one, from around my neck.  Red is passion, and he pulls it, pulls it, and passion grips my throat for just a second before it floats to the floor.  Where did you get these funny scarves?

My pulse slows, my smile fades, my love, he doesn't want to dance.  He only asks about the scarves.  He asks, and I remember my heart beating, my hands stuffing yellow, red and green to fill my pockets, pushing them down, down, and quickly.  Waiting, just waiting for the hands to fall upon me, for the hot heavy voice to stun me.  I remember my body as it quivered, my heart dancing hard and fast in my chest, the pockets bulging under my palms, as I left the store.  Waiting.  Wanting.  Walking slowly.  And looking straight ahead.  No one sees.  My love doesn't take me in his arms.  I look straight ahead.

My mother, I tell him.  They were my mother's.  And I don't chase the sun, as it turns to climb out the window.  I only stand still, allowing Robert to kiss my forehead and pat my backside, as he reaches for the paper.  He's had a long day.  His feet hurt too much to dance right now, this minute, and I look at the scarves, lying heavy on the floor.  Not moving, not clinging to my arms, my hair, my neck.  Not floating in the sunlight, gone now, or in the swift spring breeze that still blows through the room.  The hair stands up on my arms, right now, this minute, while hearing of his tired feet.  I've caught a chill.  Robert props his argyle socks on the coffee table and sighs.  I'm going to fix dinner, I say, folding my arms around my body.  I am starving.  He nods and turns the page.

Those little green monsters have got you again, my mother said.  Better watch out for them, Marie.  Envy isn't very becoming.  I see myself at sixteen, standing over the sink, doing dishes, the hot water running painfully over my hands.  My mother said I couldn't always have everything I wanted.  Sometimes I would have to settle for things a family like ours could afford.  But I hadn't asked for any things.  Had only said that one day, I would live in a big house with fresh air and sunlight, and I would marry a man who drove fast down the roads, the wind whipping through his hair.  I wanted a man who opened his mouth wide, and wasn't afraid to laugh.

At sixteen, the water scalded my hands, and the sun beat down on the window.  I stood on my toes, up over the sink, and reached to let it in.  I unlatched the window, aching to breath deeply.  No, my mother said, the pollen.  One sneezing fit, and your father will be up all night complaining about his allergies.  Go out on the porch if you want some air, but let the pollen stay outside, for your father's sake - and for mine.  She turned and left the room, her legs wriggling and scraping in the confines of her long, starched skirt.  I stared at the sun, rubbed my nose with a soapy hand, and welcomed the little green monsters.

In a kitchen of my own now, I stand at the sink and the water runs cold.  Numb hands, soaping pots and glasses.  Cold, wet, hands reaching for the window, welcoming the beating sun.  I feel the light on my face, and the breeze blowing through, making ripples on the water.  My mother's voice, an echo - You can't have everything you want, Marie.  Envy is unbecoming.  The stove heats to red, passion red.  I slosh the water around the pot, and move toward the burner.  I feel the heat, so close to my cold hands.  I hear Robert, snoring in the living room.  I picture his mouth hanging open, but where is the laughter?  He sleeps.

Noodles boiling in a pot, wriggling, twisting, dancing like scarves in the hot bubbles.  I walk quietly to the living room, red toenails sinking in the baby blue carpet.  I walk to retrieve my scarves.  There is no pounding now, no fear.  I pick the red one off the floor, then the yellow, then the green.  No one is watching.  My heart doesn't dance.  There's only Robert snoring, resting his aching, argyle feet.  I carry the scarves to the kitchen, and slide the pot of boiling noodles to the back burner.  The bubbles settle.  I let them sleep.

Go out on the porch if you want some air, my mother said, but finish the dishes first.  Sixteen, and unable to breathe in our house.  Sixteen, with wild hair and bright blue eyes and lungs that never seemed to fill.  The screen door slammed behind me.  The air cool, the sky clear, I sat on the step, and stared hard at the road that split our many acres of land in two.  So much land, and so quiet.  Stared hard at that road.  Waiting.  Wanting.  Looking straight ahead.

Robert sleeping still, I put the food away.  My big house around me, and so quiet.  I smack my feet on the linoleum, push in my chair, slam the refrigerator hard.  Too quiet.  The house is barely breathing, but my heart jumps in my chest.  My hands shake, as I carry my dishes to the sink.  The glass rattles, and I turn on the water.  Hot, so hot, and it burns.  I recoil, the glass crumbling in my clenched fist. Scalded hand.  Bright red warmth.  I scream silently, while Robert sleeps.  His mouth hangs open.  Where is the laughter?

Sixteen and waiting.  Listening for the screech of tires, the sound of his laugh.  Straining to catch a glimpse of dark hair lashing at his face in the wind.  Waiting.  Knowing.  I sat on the porch, until Robert's car came racing around the bend.  I knew he would come, and I ran, ran from the porch to the roadside, bare feet slapping at the walkway.  Nails and fingers raking through my wild hair.  White teeth and laughter, his and mine.  Like he knew I would be there waiting.

Get in, he said, and at sixteen, I didn't look back.  I scrambled in beside him, bare feet and short shorts, my legs sticking to the vinyl seats.  We drove fast, fast around the roads, so fast we swallowed air in gulps, so fast my lungs were filled.  I laid my head back and stared at him, wide eyed, until he looked at me.  He turned his square face, and he looked.  He saw me, sixteen and knowing.  Sixteen, and sticking to his seats, and he opened his mouth, and he laughed.  He laughed long and hard, and Robert was mine.  It was music, his laugh, and my heart was dancing in my chest.  My body shook.  He laughed.  Robert and me.

We pulled over to the side of the road, and Robert said, What's your name, Little Wild Girl? And what were you doing running out in the road like that?  His eyes were smiling, and his mouth was pouring silent laughter, and I said Marie, and I was waiting for you.  He smiled, and he knew it was true.  Dance with me, Marie, he said.  Come, come, my Little Wild Girl, and dance.

I stand at the window now, pulling splinters of glass from my hand.  I bleed into the drain, the sun gone, the night air numbing the pain.  The water runs cold, but the bleeding doesn't stop.  I pull the red scarf from my pocket, wrapping it round and round my palm.  The blood seeps through, and the red grows deeper, darker, lovelier.  I step onto the porch, letting the screen door slam behind me.  I stare at the road that splits our land in two.  I am no longer sixteen, but I am still waiting.  Wanting.

Come, come, and dance, he said.  Dance with me, Little Wild Girl.  I pushed my lip out, and twirled my hair.  He opened his mouth and laughed, hopping out and rounding the car to my side.  I stuck to the seat, wide-eyed, but not afraid, and Robert took my hand.  He pulled me onto the hood of his bright red, passion red, car.  Come up here, Bright Eyes, where you won't hurt those pretty bare feet.  I belonged to him instantly, and he opened his mouth, a window, and he laughed, the sun pouring into my heart.  We danced slow and close, and then Robert asked me if I knew why he'd chosen red.  I stared at the car beneath my feet and I shook my head, hoping.  Red for passion, Little Wild Girl.

Red for passion.  I stared at the scarf, wrapped around my bleeding hand.  My palm ached from the pressure, and stung from the slivers of glass it had taken under the skin.  The screen door slammed again,  and Robert wrapped his arms around my waist.  Hello, Sleepyhead, I said.  I've been waiting for you.  What are you doing out here, he asked?  It's getting chilly.  We'll have to shut the windows tonight.  I turned toward him, looking at him wide-eyed and afraid, no longer knowing.  What's wrong, Marie?  He was smoothing my hair.  Wild hair.  What happened to your hand?  You're bleeding.  Yes, I know, I said.  Yes, yes, I know.

Sixteen and lying in the grass, next to Robert's red convertible.  Bright sunlight and strong hands, holding me down.  Struggling, but not afraid.  Lying between the happy daisies, bobbing in the breeze.  Taking Robert's open mouth on mine, breathing in his laughter, filling my lungs.  Sixteen and fighting.  Wanting.  Bright blue eyes and wild hair.  Fighting, and needing.  My heart jumping in my chest, my lungs filled with  laughter, my eyes staring straight into the sun.

Sixteen and lying in the grass, my body quivering.  Robert's mouth had moved, from my neck to my shoulder, down my arm, becoming still.  Spread naked in the grass, the sun beating on our bodies.  Knowing.  Basking in the glory of surrender.  Robert's mouth fell open, breathing silent laughter with serious eyes.  My lungs full, I stared at our reflection in his shiny red car.  Two glowing bodies, lying naked in the sunlight.  Do you know why I chose red?  Robert whispered.  Yes, I know, I said.  Red for passion, and I pulled him down to me again.

I'm okay, I tell Robert.  I broke a glass, that's all.  He takes my hand.  Why not use a bandage?  He asks, his square face staring into mine.  I had the scarf in my pocket, I say.  It was the first thing I grabbed.  I follow him inside, the screen door slamming behind us.  Are you hungry?  I ask.  I can heat your dinner.  I think I'll take a shower, he says.  You sure your hand's okay?  Yes, I say.  Yes, it's okay.  He leans down to kiss my forehead.  Be back soon, he says, smiling.  Yes, I say.  I hope so.

Sixteen and lying in the grass, Robert asks me - Do you know the true color of the sun, Bright Eyes?  Of course I do, Silly.  It's yellow, I say.  No, he says, holding me down.  It's the color of hope.  He brushes my hair away from my eyes, and he laughs - opens his mouth and laughs.  How do you like that, Little Wild One?  And I smile, squirming beneath him.  I like that a lot, I say.  Hope.  Yellow hope, beating on my kitchen window, yellow hope, shining down on Robert and me.  Hope for what?  I asked him, staring innocently into his face.  There was nothing more to hope for.

Alone in the kitchen, I pull out the yellow scarf.  I spread hope on the table in front of me.  Spread yellow hope with my passion red hand.  It was a beautiful hope color, like the sun setting, just for me.  My mother's voice still hovers in the air.  No, Marie, keep the windows closed.  Don't let in that yellow hope.  Go outside, if you want to breathe.  Go now.  Sixteen and a speedy red convertible.  Sixteen, and never looking back.  I lift my heavy red hand to my face, and I sob.  Shoulders heaving, but no tears.  Only my mouth gulping for air, struggling to fill my lungs.

Robert steps out of the bedroom, wrapped in a towel, while a yellow ball of hope is wrapped tightly in my fist.  Let's go for a drive, I say.  He gives me a strange look.  Right now?  This minute?  Yes, I say.  Right now.  This minute, please.  I smile bravely, my heart jumping in my chest, squeezing the yellow ball in my aching hand.  I look straight ahead.  Waiting.  No longer sixteen, but wanting.  All right, he says.  I'll get dressed.  And I thrust the yellow scarf down deep in my pocket.

Sixteen, and I'm in love with Robert, Mother.  Sixteen, and the kitchen window blew cool, fresh air on my scalding hands.  She stood in the doorway, lips pursed, legs trapped under her long starched skirt.  Close the window, Marie.  Allergies.  Your father.  No hope.  The water rippled in the breeze.  She moved toward me.  Hot, so hot.  And it burned.  Scalding hands.  The glass crumbled, and she reached for the window.  Don't, I said.  We're leaving tonight - Robert and I.  We're leaving, Mother.  And her hands froze in the cool, fresh air.  She was icy, numb, stretching her stiff , bony hands toward the open window.  She looked at my hand, stuck with slivers of glass, passion red blood running down the drain.  Leaving?  she said.  Her eyes filled, the wind blew ripples in her tears.  But Robert beeped his horn, and I left her there, thawing in front of the window.

Ready?  Robert asks, stepping out of the bedroom.  Yes, I say.  Let's go.  He takes me by the hand, and leads me to the car.  The screen door slams behind us.  Marie, where are your shoes?  Aren't you wearing any shoes?  he asks.  Bright red toenails, sinking in the grass.  I shake my head, no.  Well, I suppose we'll only be in the car.  But it's getting chilly, you know.  He looks at me, imploringly.  I'll be all right, I say.  My love, he doesn't want to dance.  Sixteen, and stopping on the side of the road.  Come up here, Bright Eyes, where you won't hurt your bare feet.  Dance with me, Little Wild One.  Dance with me.

Robert opens the door for me.  Put the top down, I say.  And before he has a chance to say anything, anything at all, 'Please' tumbles from my bottom lip.  I twirl my hair and smile, thrusting my bright red hand deep in my pocket, fingering the yellow ball of crumpled up hope.  It's not too cold, I say.  Remember, Robert?  Remember?

Sixteen, and Mother left thawing at the kitchen sink.  Screen door slamming, and bare feet slapping on the walkway.  I ran for the road, at the first sound of the horn.  White teeth and open mouth.  Robert waited in his bright red, passion red car.  Leaving.  Sixteen, and never looking back.  I scrambled in the door, and clung to Robert's side.  We flew over the road that split my family's land in two.  I stuck to the seats, top down, wind whipping through my hair.  Wild hair.  Bright eyes.  Laughter.  Oh, Robert.

I lean my head back against the seat, and stare at him wide-eyed, as we move cautiously over the road that splits our land in two.  The cool wind tickles my face.  Faster, Robert.  Drive faster, I say.  What's the rush?  He asks.  We have nowhere to be.  I sink down in the seat, eyes lowered, thighs sticking, my hand thrust deeply in my pocket.  Please, I breathe.  But Robert turns his square face to mine.  Did you say something?  he asks.  Marie?  But I keep my eyes down.

Sixteen and shooting out over the roads, looking for our place to be.  Robert and me.  He stops the car, drags me out, and pulls me down in a field full of daisies.  I gasp for breath, but my lungs are full.  The sun down now, and Robert's bright red, passion red convertible, sheds light on our bodies.  Robert opens his mouth, and he fills me with laughter.  My heart dances in my chest, as he wrestles me down, down in the daisies.

Pull over, I say.  Pull over, Robert.  Now.  I slide my foot to the driver's side, and slam on the breaks, yanking the wheel to the right.  The car swerves, and skids into the field stretched out beside us.  It rocks to a stop, Robert's eyes wide.  His mouth is open, yelling something, but the words are lost in the space between us.  He's flailing his arms around, shouting at me, but I open the door and run.  I run, red toenails curling in the grass, red bandaged hand pulling bright yellow hope from my pocket, trailing the scarf behind me.  I run, run fast across the field, like a shooting star.  My heart jumps in my chest, my lungs gasp for air.  Catch me, Robert.  Catch me, please.

I hear his feet behind me, thumping hard on the ground.  I twist my head around to catch a look, and see him running, the wind in his hair.  His mouth is open, he's breathing hard, but the laughter is caught, stuck somewhere deep inside.  Marie!  Marie, wait.  Stop!  But I keep running until I step on the yellow scarf, until I step on it hard, and my body jerks to a stop, my chin thrusts upward toward the moon, my ankle twists, and my body falls hard to the ground, landing in a patch of trampled daisies and swallowed up hope.

Marie, are you all right, Marie?  Are you all right?  he keeps asking.  Are you all right, all right, all right?  Yes, I say.  Yes, I'm all right.  And he's down beside me, smoothing my hair.  Wild hair.  I lie there, just lie there quivering, feeling his hands travel over my face.  Are you sure?  Yes, I'm sure, I say.  And he runs one flat palm down my arm, to my hand.  He takes it carefully, in his own.  The red scarf is now brown with dried blood and dirt, and he peels it slowly from my hand.  Does it hurt?  he asks.  But I just lie there, quivering, staring at the night sky, and searching for the sun.

Robert picks me up, and carries me to the car.  I see the scarves behind us, lying heavy in the grass.  Not dancing with the daisies, not bobbing in the breeze.  I gaze at them lying there, caked with blood, soiled and dampened by the moisture in the air.  They settle there, in the grass, and I can't bring them back.  My legs are slung over Robert's arm, and my ankle pains badly.  I'll let them sleep, but still, I'll remember - sixteen and lying between the daisies, dry and happy in the sunshine.  Sixteen, Robert and me.  Oh, Robert, Robert and me.

He props me up against the car.  Here, lean on me, he says.  I'll open the door for you.  I slump against him, exhausted.  What's gotten into you, Marie?  He grabs me, thumb and forefinger squeezing my chin.  You could have killed us.  But staring into my face, his eyes soften and start to ripple.  Why did you run off like that?  Sixteen, and what's your name, little wild girl?  And what were you doing running out in the road like that?  My name is Marie, and I was waiting for you.  My name is Marie, I say, and I was waiting for you.  Waiting.

Funny girl.  Let's go home now, he says.  Let's go home.  His square face searches for my eyes.  I pull his head down, pressing my mouth to his, twisting my hands in his hair.  He stiffens.  Marie?  I start unbuttoning his shirt.  Quickly, quickly - afraid if I slow down, he'll make me stop.  Here, Marie?  Here, I whisper.  Please, Robert.  And I reach for his head again, feeling his hair sliding through the cuts on my hand.  But your ankle, Marie.  You're hurt.  Marie, Marie, what's wrong?  Down, down in the grass.  Shhh, I say.  No words, Robert.  Not now.  I lay down, next to the passion red car, and I fumble with his clothes.  He's breathing hard, but I struggle to fill my lungs.  Yes, Marie, yes.  His mouth is open.  Where is the laughter?  He sighs and collapses.  The ground is cold, and Robert is heavy.  His body stretches over me like a blanket, soaked in the night air.  My own body lies, caked with blood and dirt, and crumpled in a pile beneath him.

No longer sixteen, and our reflection is lost in his bright red, passion red car.  Nothing light remains.  I see only the daisies, crushed beneath the tire beside my head.  Marie, Robert says, breathing hard.  Marie, and he touches my face, his eyes pained.  Marie?  Are you all right, all right, all right?  I close my eyes.  I'm sorry, he says.  I shouldn't have.  Marie?  I lay there, motionless.  Robert pulls himself together, and wraps me in the old heavy blanket we keep folded in the back seat.  He scoops me into his arms.  Why did you choose red, Robert?  I whisper into his hair.  Why?  And the tears turn on.  My eyes become spigots, scalding my cheeks.  He shakes his head in confusion.  Marie?

I tumble into the front seat, cheeks burning.  Those little green monsters have got you again, Marie, my mother calls.  I press my hands over my ears.  My pants still unzipped, I feel the green scarf, lumpy in my pocket.  I had forgotten it.  Hot tears.  So hot.  And they burn.  Envy is unbecoming, my mother says.  Robert reaches to put the top up.  No, I say.  Leave it down.  He is lost in my words.  He leaves it, and starts the car.  I only want some air, Mother, just some air.  Some sunshine.  Close the window, Marie.  A big house, Mother, but only to breathe, only to dance.  You can't have everything you want, Marie.  I wrap the green scarf around my head, pulling it over my ears, knotting it under my chin.  I look straight ahead.  Wanting.

Robert pulls out onto the road.  He is quiet.  My mind is wrapped up in green monsters, my wild hair, in a bright green, envy green scarf - secured unbecomingly, at my throat.  The wind is cool.  It dries my scalding tears.  My heart is still.  My eyes are rippling pools.  Knowing.  My mother's voice is trailing along behind us, like a scarf in the wind.  Go outside, if you have to breathe, Marie.  Oh, I wanted a man to laugh, to be strong.  You have to settle, Marie.  Scalding water.  Shut the window now.  No, Mother, no.  Broken glass and passion red blood, down the drain.  I don't want to be like you.  I'm so cold.




Wednesday, May 18, 2011

Lincoln Side Up

     Who cares? he said.  He said, Who cares? and his face hovered over mine, still, indifferent, a stone wall impossible to climb.  Who knew why he said things like that, at times like these - Who knew?  But I hated that part of him that made him do it.  I hated it.  And looking at him, his jaw so hard, his eyes traveling aimlessly, coolly, over my face, I felt sick.  Sick and angry.  And when he said 'who cares' I just lunged at him, kicking and screaming and clawing at his eyes, those horrible, apathetic eyes.  I hate you, Gary.  I hate you.  If I couldn't climb that wall, I'd at least try my best to knock it down.  Who cares? he'd said, We're all going to die anyway.

     Gary grabbed me, and shook tears from my eyes.  And when he finally let me go, I just sat dumbfounded, my wrists red and hot with his hand prints, my blood red and hot in my cheeks with some element that Gary's didn't have - some ingredient that made Gary's recipe for life so different from my own.  What was it?  I didn't know, but I sat there, panting on the log by the tracks.  I sat there for a long time, shooting furtive glances in Gary's direction, through long, matted strands of dirt brown hair.

     Well, I'm not going to die, I finally said, plunging my heels into the dusty gravel.  I was through listening to Gary.  He didn't know anything about life anyway.  Only about stupid things that didn't matter.  About fixing cars, old ones that he kept for show and wouldn't drive, and about getting up before the sun to catch some big slippery fish he'd only throw back in the lake.  Gary didn't do anything worth doing, and if he knew anything worth knowing, well, he didn't tell it to me.  He always said things like 'who cares' at times when things mattered, and I wasn't going to let him take my dreams in his hand.  I wasn't going to let him take them, and squeeze them, and bring their life to the surface in one big, bold, Gary hand print.  No sir, I wasn't going to sit here with Gary's marks around my wrists forever.

     And that was it.  I shrugged off his words, felt them roll down my back as I stood up, spun around, and spread my arms wide, like the wings of an Angel.  I was going to live forever.  Don't talk to me, Gary, I said.  Don't even look at me.  I'm an angel - an Angel, and you can't see me anyway.  The gravel crunched and slid beneath my feet.  Do you hear?  I'm going to forget all about you, all about you and your empty, empty face.  Forget you, that's what I'm going to do, I taunted.  Forget you, I echoed, spinning all the while, gravel crunching, feet sliding, feeling taller by the foot, as I turned and let my Angel wings drag me higher.  Finally, I lost my balance and collapsed, giggling, in a messy heap at Gary's feet.

     How I wound up there, I didn't know exactly.  The last time I checked, Gary was over pitching rocks across the tracks - cling, thump, clang - rail, tie, rail - so perfect.  Just like everything he did.  Cling, thump, clang, while I spun around my circle, chanting and singing about how glorious life would be without him.  One foot...the other.  Left, right, left - rail, tie, rail - cling, thump, clang.  Perfect.  I spun to his rhythm.  He was skipping rocks.  Ignoring me.  Just like he always did when I got angry this way.  And hard as I tried to do the same, I never could.  I always ended up stunned and disoriented, swept up in a pile at Gary's feet.

     Come on, he said.  Get your penny out.  It's coming.  And I snorted at him.  I'm not stupid, you know, I said, as I slapped at the dirt and mosquitoes settling on my legs.  I'm not, and I'm not deaf either.  I could hear it.  Clickety-clack, down the track. How does the train go, Angel? my mama used to ask me.  How does it go?  Clickety-clack, right down the track.  I knew it was coming.  Get up, get up, he said.  Come on, get out your penny.



     So, I scrambled to my feet in a hurry, neglecting the fresh scrape on my elbow and the blood trickling down my right arm, forgetting my anger, and letting go for a minute of the reason I had been lying there, in a lump at Gary's feet.  I sprung up, thrust my hand in my pocket and found that penny, clickety-clack, as the train came into view.  Get a nice shiny one, said Gary.  Is it shiny?  I didn't know.  Not shiny like the cars Gary washed and waxed all summer in his dad's beat up old garage, those stupid cars he'd never even drive.  Not shiny like the black and silver bass flapping around on his hook this morning that he told me was a large mouth, then threw it back.  Still, it looked shiny to me, but I spit on it anyway - spit on it and rubbed it across my dusty thigh.

     Are you ready? he said.  Here it comes.  He grabbed me by my bleeding elbow, and yanked me toward the tracks.  Now, lay the penny down on the rail like this, he showed me.  His eyes were gleaming, reflecting the old rusty steel as if it were new.  I nodded at him, swiped a hair away from my mouth, and ran to the side of the tracks that Gary's compass said was North.  I wanted a rail all to myself.  Make sure it's balanced, or else it'll fall right off, he yelled over the clickety-clack of the train.  You got it?  Lincoln side up, okay?  I crouched down in the stones, wiped the penny clean one more time, and planted it in the center of the rail.  I had it.  Lincoln side up.  Now get back, he yelled.  Get back away from the tracks!  All the way back to the woods, and watch your head.  Sometimes it flies.  And Gary took off, running for cover.

     Sometimes it flies, he said.  And something about that struck me silly.  A vision of a flying copper Abraham Lincoln was something that not everyone got to see in his lifetime.  I giggled.  One dead president, coming up. And I pictured him floating around saying "Four score and seven years ago..." in that serious presidential way - Lincoln the spirit, the ghost, or maybe even the angel.  A flat angel, I thought, and laughed.  At least that's what he was going to be.  Presidential Pancakes, I declared - House Special, and I scrambled for the woods, laughing harder still; only wishing Gary, too, was on the North side, so he could hear my joke.

     I kept my head down like Gary told me, just in case the pennies flew.  I laid on my stomach and pressed my ear to the earth, spreading my arms wide again.  In the winter, I could have rubbed my arms gently up and down, up and down, making wings in the snow - a snow Angel.  Then I could stand, and look down at myself with wings, and I could see the stars and the sky falling all around me.

     But now, in the summer, here with Gary, I pressed my body to the earth, and the cool ground numbed my belly with it's dampness.  A tiny blade of grass poked the cut on my elbow, and I winced, wriggling around, pushing myself deeper into the dirt.  Here in the summer, there was no soft snow to slide into wings; just cold hard dirt and grass that didn't want me close.  I pushed down hard, working my tiny arms in a frenzy - up and down, up and down, the wet grass painting the white side of my tanned arms green.  I could feel the dirt and grass sinking into the gooey mess of my elbow, and the pain made me squirm and struggle harder against the cold, solid ground.  It wasn't at all like the snow.  I shoved the grass down hard, until my muscles were spent, and the skin on my arms was rubbed red and hot, like Gary's hand prints were just swallowing them up.

    I tried so hard, in the summer, here with Gary, but there was no snow, and there was never any me with wings down there on the ground, because that stubborn grass would stand right back up again, just as soon as I did.  There was no angel, lying there after the train went by - just the stars and the sky, falling down around me.

     I laid there, writhing on the ground, and as I fought, I could feel the earth shake with the thunder of the weight across the rails.  I could feel the power, the force, and I felt sorry for those two Lincolns, when I heard the train's thump thump over top, and the heavy roar that engulfed them.  There was no escape.  The train was too big, and Lincoln - even two of him - was much too small to stand up to it.  Great man he was, that Lincoln.  It was a shame.  And then all was hushed.



     Hey, Gary, you there? I called.  You there, Gary?  I raised my head, but it was hard to see clear over to the South side trees without the light of the train.  Yeah, I'm here, he said, and I saw his shadow fall across the tracks.  I climbed to my feet, my muscles still twitching, and my skin still hot and red, washed with bright green grass stains.  I stepped lightly over to his side, and he asked me did I find my penny?  He looked at my arms, but his face didn't change.  His eyes were slippery in the moonlight, like that black and silver large mouth he caught this morning.  Hard as anything to hook.  Did you find it? he said, but I said no, I couldn't see.  It's too dark.  Can't we find them in the morning?  But Gary just gave me his stonewall look that said to shut up and start searching, so I sulked back over to my side and sat down.  He couldn't see me anyway.




     My star was still up there, I noticed.  Gary said it was the North Star.  I guess his compass must have told him that too, or else it was just another one of those things that Gary always seemed to know.  Anyhow, I saw it there, and it made me think of what Gary said before.  Made me think of his cold, cold face when he said 'who cares?'  Of his jaw set in stone, ready for a battle.  But he didn't want to fight.  He wasn't afraid - Gary wasn't afraid of anything - just indifferent.  Solid and indifferent.  And I felt all alone again on my side of the tracks.

     I only asked him did he think there was something more waiting for us out there - out there, behind that star?  And I pointed to it, letting my hair fall across his forearm.  We were sitting side by side on the log on the South side of the tracks, and I let my knee brush up against his grass-stained thigh.  I slid my hand across the splintering wood, moving it closer to his, so close it was almost touching, and I asked him wasn't he sure there was more?  But Gary tried to say he didn't know what the heck I was talking about.  He tried to say it, but I know he knew.  And that just made it worse.  He threw his lopsided dark hair out of his eye and stared at my star - just sat there and stared, pretending not to see it.

     He should have understood, but I explained it anyway.  A better life, Gary.  You know, something bigger, something brighter.  Don't you see it in your dreams?  I knew he did.  He had to.  Don't you, Gary?  I asked, and I was so close I was sure he could feel my heart beating.  Just beating and waiting for an answer.  I could feel him breathing, could see my hair fluttering under his breath, and I could hear the me inside me crying You see it, don't you , Gary?  Oh please, tell me you see it.  And that's when he said it.  Who cares? he said.  We're all going to die anyway.

     And suddenly, my lighted star was gone, and the thought of Gary made me sick.  My heart was heavy, but my fists were light, and I pounced on him - just pounced on him, not caring if he grabbed me by my tiny wrists and threw me down in the dirt.  Not caring anymore, because Gary made all of my caring disappear.  And sitting on the log, with his marks around my wrists, I felt like all of the emotion had been drawn right out of me.  As if every punch I threw at Gary gave him more of who I was.  Every punch, until all of me was pounding on his chest, just trying to get in.  But I couldn't.  He wouldn't let me, and off he went to skip his rocks - cling, thump, clang - perfect, over the tracks.

     I found mine, Gary yelled, and I forgot myself again, hopping up to run over.  Here he is, he said proudly, holding up a shiny copper oval.  Good old Lincoln, he said, flat as a pancake.  I could see Gary's eyes shining like steel in the moonlight, so I nudged him in the ribs with my bleeding elbow.  Presidential Pancakes, I said, House Special.  Gary laughed, just like I knew he would, and I saw that I'd planted a penny sized splotch of blood on that dirty white t-shirt that smelled of fish and car wax.  Gary tugged on a piece of my hair, twisting it around my neck, and faking like he might hang me.  I hung my tongue out of my mouth like I was dead, and then laughed with him.  And in my head, I pictured Lincoln the angel, floating around saying "...in order to form a more perfect Union..." and it was clear that he meant Gary and me.

   You've got to put the Lincoln side up, Gary was saying, so he can see it coming.  Otherwise, the train comes, and poor old Lincoln never knows what hit him.  Gary tossed up his hand and smacked himself hard in the forehead.  Whammo! he said, and stumbled backward.  But I told him that I was sort of sad when I heard the thump thump of the train over Lincoln's head, and I asked him - Didn't he think it would be better if he hadn't known?  If he hadn't seen it coming?  But Gary disagreed, and he told me so.

     See, Gary said, that's what happened to him in real life.  Boom!  He cocked his finger at his temple and rolled his eyes dramatically.  Shot right to the head, Gary said.  He never saw it coming.  He was too busy worrying about freeing the slaves, and pulling the country back together.  And what for? Gary asked.  Boom!  A shot right to the head.  And Gary fell to the ground, flapping around like the slippery bass.

     But I knew Gary was wrong.  It was much more than that, I told him.  Lincoln was a great man.  He had big dreams, Gary.  He thought big things, he did big things.  I threw up my splotchy arms, while Gary laid on the ground with his eyes closed, feigning death.  Don't you see? I asked.  Boom!  Shot to the head, Gary said, opening his eyes.  Boom!  he said and grinned at me.  Right then, I felt myself wanting to hit him again.  It wouldn't do any good though.  I already knew - that wall wasn't coming down.

     So, I just stood up and started spinning again.  Round and round.  Left, right, left.  And Gary hopped up and started skipping rocks - cling, thump, clang - rail, tie, rail.  Ignoring me again.  Cling, thump, clang - I caught the rhythm - left, right, left.  Perfect.  I'm going to live forever, Gary, I yelled.  I'm going to forget all about you and your boring, boring life.  I'm an angel, Gary - an Angel.  And angels live forever.  I teased him, and I spread my wings and spun until I wound up lying in a dizzy heap, at his feet.

     And again, there he was, looking down at me, out from under his lopsided hair, and I thought - Gary and me, we were different and the same.  I thought of Lincoln and his 'more perfect Union.' North versus South.  My side of the tracks, or Gary's.  Here we were , fighting over two different ways of seeing life.  Gary was Lincoln side up.  He laid on the rails and he waited for the train, but I - I was too busy looking at the stars to even care.

     He offered me a hand.  Come on, he said.  Let's go find your penny.  I stared at the tracks merging in the distance, and somehow pennies didn't matter anymore.  That's all right, I said.  One dead Lincoln is enough.


   
   
   -- L.

 

Tuesday, May 17, 2011

75 "Not So" Random Things About Me: Parts I, II & III

PART I

1) I don't like odd numbers. And for some reason, I seem to break 6 into two 3s, which makes it seem odd to me. 8 is my favorite, but 2 and 4 are ok too.

2) Similar to numbers, I'll always pick an end over a middle. Middleground is odd to me - although I always seem to see the middleground clearly in an argument. I understand that nothing is truly black or white, one end or the other, even or odd.

3) I love words. On more than one occasion I've used a word without clearly knowing what it meant, but with a gut feeling that it fit - only to find later that I was right.

4) My dad says he does the same thing. Now, that's ODD.

5) I used to feign injuries or miss the bell to get out of gym class, Field Day, or any other event that required mustering confidence while other people were watching.

6) I think I'm still hiding.

7) I have no fear of sharing my feelings or reading my writing in public. I'm happy to be an open book.

8) I can tell in a minute or less if I want to read a book, and it doesn't take much longer for me to know your story, and what role I think you'll play in my life.

9) I hate olives, and the thought of oysters - although I've never actually tried an oyster.

10) I love ethnic food - Indian, Japanese, Korean, Vietnamese, Chinese, Thai and anything spicy and bold with noodles or rice are my favorites!

11) And just a little food for thought......Try asking people you just met about their food habits - likes/dislikes, how they eat, when they eat, how they feel about watching people eating. People eat and approach eating in all different ways, and like fingerprints, they're all unique and complex, and can tell you a lot about a person. I find it fascinating.

12) I'm obsessed with addiction, and addicted to the obsession. I love reading about compulsion, and watching interventions, and seeing how far people go to fill the void in their lives.

13) I think everyone has their own holes to fill, and I'm intrigued by people who say they're content. People who accept, have faith, don't question, don't want, don't seem right to me.

14) I've never been one to accept, have faith, not question, not want - not ever. I'm not content. I have void. I have holes. Big ones.

15) I'm a perfectionist, a procrastinator, and an under-achiever. I'm all or nothing, and I don't do anything, if I can't do it right. I'm amazed at how often that amounts to doing nothing. Procrastinating. Under-achieving.

16) I used to think it was funny when people said they needed to "find themselves." It's really only funny if you've never been lost.

17) I've learned that it's not hard to get lost. It takes courage and confidence to be who you are, and to not let anyone or anything turn you against your instincts. If you don't know who you are, you need to listen to your gut - because it always knows, and it always protests when you're on the wrong path. If you ignore it, you'll disappear - and you may never find yourself.

18) I've never seen the show "Lost." I've also never seen "24," "Survivor," or many of the other shows people are always talking about.

19) I don't understand obsessions with pop culture, mainstream fiction or politics, but I won't give up the NFL Ticket, NFL Network, or any of my Fantasy Football teams. My involvement in the NFL draft is much larger than my involvement in my community.

20) I hate organizations, associations, boards, cliques and networking. I'm not a joiner, and I don't collaborate.

21) I've accepted that everyone is truly, inexplicably unique and different - and that we can sometimes relate to the ideas and emotions and experiences of others, but we see what we want to see, and we are who we are. Our attachments are based on our beliefs in our likeness, and in the words of Anais Nin - "We don't see things as they are. We see them as WE are."

22) I like the way I see things.

23) I don't count my blessings - they aren't meant to be quantified - but I believe I'm bountifully blessed.

24) I think our lives are all works in progress, and you can go to work every day and participate, or you can feign injury, miss the bell, and sit on the sidelines. But someone's always going to be watching, when you try to muster up confidence, and the threat of losing yourself or never being found is real and true.

25) I've learned that life goes on with or without you, and it happens, perfectly or not. You can choose to procrastinate, and you can under-achieve, and you can latch on to surface friendships, unfulfilling relationships, distractions and careers, but you still wake up with yourself. Every day. And no one will feel the same void. And no one can fill the holes, but you.

****************************************************************
PART II

1) When I was a kid, I read anything I could get my hands on. I took an IQ test in Kindergarten, because I was bored with my peers. I got a 142, and they suggested sending me straight to 2nd Grade. My mom said no, and I thank her for it. I'm still bored with my peers every now and again, but life doesn't give us the option to hurdle them and move on.


2) I could spend hours on end in a Barnes & Noble. Just seeing all the unread books and the unfilled journals creates a sense of new beginnings - a kind of youthful exuberance, a source of inspiration - for me.


3) I love the feeling of the brand new, the untapped, the wide open territory - but one step in, and it starts to disappear. For some reason, I'm addicted to beginnings. Middles are unsatisfying and ends are disheartening. I like the possibilities at the start, the untainted perfection, the still attainable ideal.....and after that, it loses its appeal.


4) Sometimes I wonder if my obsession with beginnings makes me a commitment phobe - If I can only accept a clean slate, only love an ideal. If I stop writing a story because I'm afraid of making a wrong turn. If I stop moving forward, for fear of fading away.


5) I don't write anymore. When people ask me why, I can't answer them. I think it comes back to commitment and discipline. It's not the process I love - It's sitting in front of a blank screen, opening up with a fresh start. I get so far, and I fear the narrowing of the path - I fear the turning point, when you have to make a choice and you can't go back. Writing is hard, whether you were born with something to say, or not.


6) I still think I was born with something to say.


7) Speaking is harder for me than writing, and if you give me a choice, I'll choose the latter....but I can't understand people who don't communicate. People who won't read, don't listen, can't express themselves, are alien to me.


8) I still haven't decided if I believe in aliens, but the year it was released I saw E.T. on the big screen five times - and I cried every time.


9) I don't cry as much as I used to, but my triggers remain the same - expressions of brilliant creativity, strength in the face of adversity, random acts of kindness, personal futility, dogged loyalty, animal cruelty, undeserved guilt, irreparable regret and paralyzing fear.


10) I want to be liked, I need to be heard, and I hope to be understood. I'm not afraid to admit it. Sparks of likeness are so few and far between, and when I find them they light up my world.


11) I cherish those sparks, but I'm afraid of fireworks - both metaphorically and figuratively. I once wrote a poem about it, and titled it "Burning Tracks."


12) Writing a poem is easier for me, than writing a story. Probably something to do with the beginning and the end being closer together. Less options and choices, less fear of mistakes. Poetry is tighter, more controlled, more precise. If you make a mistake, you can scrap it and start again. There's no consequence, no regret, no need to go back and pick apart your creation to pinpoint your flaws.


13) In college, I wrote a collection of poems called "When I Was Wonderwoman." The cover featured a Polaroid of me in my Wonderwoman Underoos, and the forward referenced the days when I still thought I was invincible.


14) Life lessons aren't learned by taking tests or reading books or skipping grades. They back you into corners, and make you face them dead on. Things like love, loss, and independence. You can't just hurdle them, and move on.


15) I have scars. A small one, from gashing my head on the steps of a sliding board, and some bigger ones from running head first into some of life's more important lessons. I don't think any of those scars will ever fully go away.


16) That being said, each scar tells a story, and it was only the beginning. Right now, I'm feeling my way around the middle, and so far, the path hasn't narrowed too much.


17) One day, I hope to have the courage to set some goals, outline my plot, and make all of the turns without looking back. One thing I've learned, is that without a plot, your story never takes shape, the middle isn't satisfying, and the end will always be disheartening.


18) I'm a big fan of dialogue. Mean what you say. Don't waste words. Pull from the heart. Good dialogue is rare, and so often taken for granted.


19) I think it was Hemingway who said never introduce a gun in a short story, if you don't plan to have it go off. I think that's great advice for writers and youngsters. Have a plan, keep your focus, and only accept what's real and true and important to you. Don't bring anything into your life or your plot, if it doesn't fit into your plan. There's no room for the extraneous, no need for red herrings.


20) At the end of my life, I want to be able to say that I learned to fish. The old saying that says - Give a man a fish, he eats for a day....but teach a man to fish, and he eats for a lifetime - rings so true. I always hope to be self sufficient, to embrace life's lessons, to make the most of my gifts. I never want to be accused of taking handouts, or letting others carry me along.


21) There was a time in my life when I worried that I boarded a moving train, and I couldn't get off. A time when I was looking for direction, and I let circumstances and people shape my world, my beliefs, my goals. I disregarded who I was, and I tried desperately to ignore the constant gnawing in my gut that told me it was wrong. I think I cried every day.


22) When I finally figured out I'd introduced an unloaded gun into my life, I broke free of it. I knew it wasn't meant to be fired.


23) The good thing about life is that it's never really too late. You may cry, you may have regrets, you may have guilt, but there's something important to be learned in every experience. As long as you can take your lumps, pick yourself up, and move on, you'll never have to go back, dissect your life, and pinpoint where you went wrong. You'll instinctively know where to go to make it right.


24) I have good instincts. I didn't always heed them, but they stuck around anyway, and they taught me to fish.


25) My instincts told me to go to Barnes & Noble today. I walked around on my lunch hour, taking in all of those unread books, those unfilled journals, and I felt a kind of renewed hope. I'm glad I didn't skip first grade, first love, first hurt, first loss. I'm thankful for each and every chapter that made me who I am today. I'm tired of looking back. I think maybe it's just the beginning for me.

**************************************************************
PART III

1) I believe in soul mates and "Happily Ever After," but still have trouble mustering up faith in the masses or trust in a higher power.


2) I don't know if Heaven and Hell really exist, although I do think everyone keeps little bits of joy and pain stuck in their memories like shards of glass - and everyone needs to brush them into a corner once in a while, or they get to be too sharp, and can cause you to bleed.


3) Life is about creating a balance, and I'm learning it's probably impossible to straddle the median for any substantial amount of time. We constantly oscillate right and left, tipping the scales - and that's what keeps us going every day.


4) Each day really is a new beginning. Perspective is everything, and even memories change with every new angle. Remember to find the light, and move toward it. No bad can ever come from looking on the bright side.


5) In spite of this, it seems we all live a good part of our lives in the dark.


6) On a lighter note, I think it's funny how the things that draw us to a person are often the very same things that make us turn away.


7) They say, "opposites attract." Seems to me, it's a little more than that. Being attracted to an opposite is just a step in the other direction, a migration toward balance. You want what you aren't, in an effort to make yourself whole.


8) What often winds up tragic, is when pursuing the opposite, your original traits are buried or lost, the scale tips, and the creation of the whole becomes compromised. You wind up on the other side, in the dark, and you can't see how to get back to where you were.


9) That being said, we're not meant to go back - not ever.


10) Moving and leaving and learning are all huge parts of life's journey. When you're tempted to regret, revisit, or retrace your steps - Stop, reconsider, embrace the progression, and keep plodding forward.


11) Another thing I find peculiar is our tendency to mask our emotions. Why do we boast when we feel insecure, attack when we're afraid, run and hide when all we really want is to be seen and heard?


12) Hide and Seek is a game we all know, we've all played - We learn young. I've always preferred to be the one to hide, but there are seekers out there everywhere. Don't be afraid. Let them find you.


13) I like word games and puzzles, but don't ask me to speak, draw, bat or throw in front of an audience, ever.....unless you want to see me run and hide.


14) Everyone says, "You're stronger than you think," and I believe it's true. Even so, never take that strength for granted, because Weakness is a seeker, and it will find you - wherever you're hiding.


15) No one is above limitations, and everyone falls prey to life's demons. Remember this when you're masking your own emotions, attacking what you're afraid of, or ignoring what you don't understand.


16) No matter how strong you are, you're bound to need crutches once in a while. Just be careful not to lean too heavily or for too long. If you do, you may never walk on your own again.


17) Walking on your own is hard, but it's worth it.


18) No matter how old I get, and how much I grow, I have an undeniable inclination to act as a buffer. I can't tolerate tension, and will readily take on exorbitant amounts of stress, if it will help to avoid conflict or diffuse tension among others.


19) My buffering tactics repeatedly add to my anxiety levels, but I can't seem to stop. You might hear me refer to myself as a sponge. I love to soak up your woes, solve your problems, and bear your burdens. I must be a glutton for punishment.


20) I've never actually read "Crime and Punishment," but I hear it's a good book, and it's on my bucket reading list.


21) One of these days, I'm going to write my own book. I keep procrastinating, and I can't explain it, but I just don't think it's ready to be born. I secretly believe that one day - after an unspecified gestational period - I'll wake up and know that it's time. You can't pick a fruit until it ripens, or you ruin what it has to offer.....Something like that, anyway.


22) Until then, I'll focus on more relevant diversions like my fantasy football team - a.k.a. the "Low Hanging Fruit."


23) And by the way, I've won two already, but I still think this season is ripe for another Championship. Let's go FRUIT!


24) Come to think of it - besides fantasy football - I don't think I've ever really been a champion of anything, aside from my own beliefs.....and that's ok by me.


25) For now, all I can do is cast the crutches aside, keep plodding along, and know that everyone is out there playing Hide and Seek, sweeping fragments of emotion out of the way, and tipping the scales until they find the right balance. All I can do is keep believing in the light, in new beginnings, and in my own "Happily Ever After."

Monday, May 16, 2011

Cross Words

Number One, across
the room from me
You step in, I sense you
Seven - letter word for 
looking, glaring
S-T-A-R-I-N-G
at me, and what have I done
to you this time?

Number One, down
My stomach sinks,
down to the knees that are
Nine - letter word for 
shaking, quaking
T-R-E-M-B-L-I-N-G
so awfully, and 
what have I done?
What have I done 
to you this time?

Here I am, in the corner
Number Two, across
the room from you, and
your eyes, your eyes are
Seven-Letter word for
heating, scorching
B-U-R-N-I-N-G
into me, boring into me, and
what have I done
what have I done 
to you this time?

Over here, over here
Number Two, down
Down on the floor, I'm 
Eight-Letter word for 
weakening, retreating
C-O-W-E-R-I-N-G
in silence, I'm praying
to you, for a clue
Would you give it to me?
Would you?  Would you
help me, tell me
What have I done 
to you this time?

Number Three, across
Across, away, a distance
from me, you're still, you're still
You're Seven-Letter word for 
clutching, pulling
Y-A-N-K-I-N-G
at your scalp.
You're tearing into your hair,
the air, into me
and what have I done,
what have I done 
to you this time?

I can't, I still can't
guess it, can't figure it out
Number-Three, down
down on the floor.
I'm rocking, I'm reeling
I'm thrown into darkness
I'm Eight-Letter word for 
hiding, burying
C-O-V-E-R-I-N-G
my ears
I don't want to hear you
I don't want to hear what 
I've done, what I've done 
to you this time

Just give me a clue.
I can guess it on my own
I am not, I say
I am not Stupid
Number-Four, across
the room from me
your accusations stick, like darts
They stab, I feel
you, Nine-Letter word for
screaming, squawking
S-H-R-I-E-K-I-N-G
at me, angry words, at me
Cross Words, at me
And what have I done
what have I done 
to you this time?

Where do I fit in this puzzle?
I'm under you, under, I'm 
Number-Four, down
down on the floor
I'm below you, I'm trailing
I'm eight, only eight
Letter word for falling, pouring
S-P-I-L-L-I-N-G
my tears, because words
stop making sense, 
because there aren't enough clues
because they don't fit together
because Cross Words can't tell me
how to stop, can't tell me what 
I've done, what I'll do 
to you next time.